Good luck to everyone
involved – and keep writing! Even if you’re not in this list – or the longer list of finalists, the
only way to reach your dream of being published is to keep writing, keep
learning, keep trying.
Oh – and talking of learning. I have just organised some
updates on my web site, one of which was to put the updated details of my Advanced Contemporary Romance WritingCourse in Fishguard on the Events page but last
night I heard that the final place on in February 2013 has been booked – so this
course is now officially sold out. Sorry
to anyone who had hoped to get a place for 2013. But don’t forget – you can
still send an email to show your interest and Gerry Hobbs will put your name on
the waiting list in case anyone who has booked
drops out between now and February – this will be on a first come, first
served basis so get you name in now if you
want to secure any place that comes free.
Finally, if you've missed it until now - my free online read, Wife For Real is running
on the Mills & Boon web site. This is the story of Alexander Alcolar – the first
of the Alcolar Family whose story appeared in the called surprisingly enough – The Alcolar
Family (and yes- Fiona - they were
originally 3 separate titles). Wife For
Real is now at Chapter 6 where the story is about to come to its emotional
climax.
I’ve been reading through this again for the first time in ages and I remember how much I had to pare it down to fit it into the short, serial format of the on-line reads. There was no room for extras, much description or anything but the immediate story. It was a fascinating exercise – getting the emotional impact of the story into just 10,000 words. Reading it, I’ve been thinking how it could also be used as a long, detailed plan of a novel, sketching out the emotional journey of the hero and heroine and then it would be possible to go back and shade in all the details later.
I’m not very much of a planner, but that way might work for some who need
more structure. (Hmm – note to self – look at this from the point of view
of teaching on that Contemporary Romance
Writing course. . . .
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