CONFLICT Q&A

Coming back to the Q&A on Conflict, having covered the basics of External and Internal conflict, it's time to look at one of the questions I've been asked about it -

Lacey said:

I really struggle with balancing internal and external conflicts and I tend to lean toward external. While I understand the principles of letting the internal drive the external I'm still not getting it right. I'm sure I'm missing something... Where's the magic formula ;)

My simple answer is - Don’t balance them!

The 'magic formula' is this -Internal conflict must always be the most important.

INTERNAL =INSIDE = EMOTIONS
INTERNAL EMOTIONS/EMOTIONAL CONFLICT drive the plot.


In other words, the external conflict must create the internal conflict and combine with it – and then the internal conflict (the feelings) must drive everything.

People act on emotions. On what they feel inside.There may be external conflict but it’s what they FEEL about it that motivates them and drives them into conflict.

EXTERNAL can add to/ make an internal conflict worse but the INTERNAL must be there and must be the dominant driving force.

And EXTERNAL can only make it worse if they let it (ie if the INTERNAL) lets it.


Let's recap on Romeo and Juliet
There is a feud between the families - which is EXTERNAL

Romeo and Juliet are from those different families which is EXTERNAL

But when they meet what they feel (which is INTERNAL) makes them want each other more than this feud.

But they believe their families will hold them back/punish them/ opposite family might even kill them(INTERNAL) They fear they can never be together.

If they didn’t give a damn about their families/feelings/thought they could persuade them – the EXTERNAL conflict wouldn’t push them into doing what they do. It's those INTERNAL feelings and conflicts that do that.

How does it worsen ?

When Romeo sees Tybalt fight Mercutio – his INTERNAL conflict makes this EXTERNAL one worse – and the INTERNAL conflict makes his feeling at having fought the enemy - and killed Tybalt - worse

Juliet’s INTERNAL conflict is made worse because Romeo – who she loves - has killed her cousin – so she should hate him. But her feelings for him (INTERNAL) make her INTERNAL conflict worse.

Then her father insists she marries Paris. EXTERNAL. Her feelings for Romeo (INTERNAL) and the fact she is already married (EXTERNAL) are affected/made worse by her INTERNAL conflict which drives her to the fake death plot.

EMOTIONAL/INTERNAL conflict should underlie everything that’s happening. It should always be in the characters’ and in the readers’ minds. It is the INTERNAL conflct that makes your hero and heroine react, that motivates them, that drives everything they do.

So Lacey, if you tend to lean towards the external, you are getting the balance all wrong. You need to focus on the internal conflict and let that dominate.

We'll look at ways of getting this balance right later.

(c) Kate Walker 2010

Conflict Q&A 3 - EXTERNAL

One of the questions that I was asked over and over again when I said I was going to do a workshop on conflict was:

How do you define the difference between Internal and External conflict ?

As Susan said: I would love an idiot's guide to external and internal conflict

So today I'm going to define the first of those types of conflict:

EXTERNAL CONFLICT


EXTERNAL CONFLICT is what happens to your characters, the obstacles outside themselves which they have to overcome to get their happy-ever-after.

External conflict is also called PLOT.

EXTERNAL CONFLICT comes from the plot and circumstances or is created by other characters.

EXTERNAL conflict is the struggle between people over opposing goals. It is out in the open. It is visible to witnesses

EXTERNAL is SITUATIONAL – it arises from the place and the plot. It can create the SITUATION that forces the H&h together so they have to deal with emotional issues – eg snowed in together etc.


SITUATIONAL can work with the EMOTIONAL issue
But

SITUATIONAL can never substitute for EMOTIONAL

External Conflict can be

- visible - a wildfire, a villain

- Situational - a situation that will cause turmoil for your character - eg working with their former husband/lover

- should be tailor-made for your characters, no matter how big or how small, it should truly affect them in more than a passing way

- should be directly tied to the essence of your characters, perhaps stemming from and adding to their internal conflict.

To quote Trish Morey -

The external conflict brings your characters together (to solve a problem, deal with a crisis, resolve an issue. . . )

The internal conflict then drives them apart.

So more on internal conflict tomorrow

(c) Kate Walker 2010